Wednesday, December 02, 2009

Literary Walk of Shame

It's getting close to the end of classes and that means that I'll have more time for reading my own books instead of trying to figure out how much of an article I can skip over and still be able to have a conversation about it (a fine skill to have if you're in school, I must say). In anticipation or procrastination or what-have-you I've done up a list of all the books I've had piling up these past few months to hopefully both encourage me and shame me into reading more and watching British comedies less (oh Black Adder, you always know just the right sarcastic retort).


Books I've Started and Plan to Finish

Notes from Underground - Fyodor Dostoevsky
House of Leaves - Mark Z. Danielewski
On Writing - Stephen King
The Man Who Mistook His Wife For A Hat - Oliver Sacks
The Proud Highway - Hunter S. Thompson
The Secret Sharer - Joseph Conrad
At Swim Two-Birds - Flann O'Brien

(though honestly those last 3 are starting to look like they'll have a perpetual bookmark hanging out of the middle.)



Books Yet to Read But I'm Totally Gonna

The Road - Cormac McCarthy
Coraline - Neil Gaiman
Neverwhere - Neil Gaiman
Anansi Boys - Neil Gaiman
The Golden Apples of the Sun - Ray Bradbury
Zen and Now: On the Trail of Robert Pirsig and the Art of Motorcycle Maintenance - Mark Richardson
The Curious Case of Benjamin Button and other Jazz Age Stories - F. Scott Fitzgerald
What the Dog Saw - Malcolm Gladwell
Slaughterhouse-Five - Kurt Vonnegut
The English Patient - Michael Ondaateje
The Rum Diary - Hunter S. Thompson
Fear and Loathing in America - Hunter S. Thompson
Night Watch - Terry Pratchett
Pale Fire - Vladimir Nabokov
Do Androids Dream of Electric Sheep - Philip K. Dick
The Stand - Stephen King
How We Decide - Jonah Lehrer
The Walking Dead - Robert Kirkman et al.
Looking for Jake - China Mieville
The Hollow Chocolate Bunnies of the Apocalypse - Robert Rankin


Apparently my sister has an infinite supply of Terry Pratchett and Marian Zimmer Bradley as well. Something tells me I won't be delving into that supply any time soon.

Thursday, November 05, 2009

Torchlight

In a moment of weakness or boredom or whatever you want to call it I logged into Steam today and within 10 minutes had purchased Torchlight. No I have never fully played Diablo or Diablo II and can only really play games that I have to sit down in front of a TV to play or can make work on a laptop. So knowing full well that I was going to have a hell of a time even playing this new dungeon crawl from some of the guys who worked on the game that has sent many a PC gamer into premature carpal tunnel territory, I found myself clicking "purchase".

Well, nothing to do about that now. It's mine and I have so far enjoyed, as much as one can with a trackpad, the first couple of missions the game has to offer. The art style is nice to look at and the world has a great exaggerated, cartoon style that gives games so much more longevity than those that try for realism. The only problem now is the same I had in Borderlands. I feel like I'm just throwing stats and skill points around with no real plan. Regardless, I still like when enemies blow up and having a dog run around with me kicking goblin ass and when I find rare items that I can pop on and see a change in my character.

I think I'm going to need a mouse and a good playing surface if I'm going to get through this though. I'm already feeling some pain in my wrist and I want to play more. Not a good combination.

Sunday, October 18, 2009

Where the Wild Things Are Review

Where the Wild Things Are is a movie that took me quite a bit by surprise. For a film that I thought was going to be a pretty standard tale of unbridled childhood imagination I found an unexpectedly subtle and thoughtful look at themes of loneliness, desire for understanding and fear of change. Unfortunately these successes make this film feel very adult in it's focus. It is frequently lonely, has no good guys or bad guys and is sometimes frightening to a degree that makes one wonder whether this is really a movie for kids.

The movie follows most of the premise of the children's book where a young boy, Max, is sent to his room for misbehaving during dinner and escapes into a world of wild monsters who appreciate and make him their king. Max eventually becomes homesick and returns to a loving family. The movie takes the liberty of the medium to send Max to an island instead of his room and expand on the personalities of the characters. It develops a whole cast of people and monsters who are struggling for some validation and understanding from those around them. From Max's mom who is struggling with work and trying move on after a divorce from Max's dad to the goat faced monster who is afraid of dangerous games but goes along because everyone ignores his fears. Spike Jonze does a remarkable job of bringing these themes to the front using a minimum of dialog preferring to let the silence and the muppety-CGI facial expressions show what the characters don't have the understanding or vocabulary to do themselves. Max's first meeting with these monsters is as joyous as it is in the book but is almost immediately brought down by the fears and insecurities of the islands inhabitants. It soon becomes clear that each of the monsters represents a different element of Max's own fears and by interacting with them all individually he learns about his own expectations from his family.

If this is sounding particularly deep it's because the movie expects you to figure a lot of it out for yourself. The problem with this is that if you strip out the implied psychoanalysis you are left with a movie that is alternately lonely, frightening and seemingly without resolution. Psychotherapists may be able to fully explain this movie but if you miss that Max is learning about his own life through the troubles of the monsters there is really nothing left. For a movie that is so centred on the imagination and issues of children I wouldn't recommend this movie to kids unless there's someone available to have a long facts of life discussion with afterwards.

The disconnect between the image of this movie and the content aside, I really enjoyed Where the Wild Things Are. It gave a surprisingly deep and mature look at issues that we all face at some point or another and told it in a manner that depended on reading unsaid emotions that not even the characters really understood when they were feeling them. With all this backed up by real costumed actors, and helped with some subtle CG, Where the Wild Things Are is a satisfying experience for anyone who enjoys movies that blend incredible imagination with a mature understanding of itself.